“We all want the movies we write to get made. And that’s only going to happen if someone likes the script. Executives read a guh-zillion scripts on the weekend. It would be idiotic for me not to have him try and enjoy the ride.”
(William Goldman, from his book Four Screenplays with Essays)
“Movies are finally, centrally, crucially, primarily only about story.”
(William Goldman, from the introduction in his book Five Screenplays with Essays)
“What is happening now is apt to be less dramatically interesting than what may or may not happen next.”
(Alexander Mackendrick)
“All drama is conflict. Without conflict, you have no character; without character you have no action. Without action, you have no story, and without story, you have no screenplay.”
(Syd Field, from his book Four Screenplays)
“Good screenwriting plays against the grain, plays against the obvious, plays against the way you would expect things to happen.”
(Syd Field, from his book Four Screenplays)
“In art, the obvious is a sin.”
(Edward Dmytryk)
“Whenever you write, whatever you write, never make the mistake of assuming the audience is any less intelligent than you are.”
(Rod Serling)
“The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires.” (William Arthur Ward) Substitute the word “teacher” with “writer” and you have a powerful, relevent piece of advice for the screenwriter.
“I try to make my screenplays as readable an experience as I can, for a good and greedy reason—I want the executives, who read them and who have the power to greenlight a flick, to say, ‘Hey, I can make money out of this.’”
(William Goldman, from his book Four Screenplays with Essays)
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